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Coeur Age

by Nire Nah

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R3id Libby
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R3id Libby Innocuous instrumentation downplays the depth and intelligence of Nire's lyrics-- It's a clever combination that draws you in and keeps you hooked. Favorite track: Play God.
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1.
On On 04:21
slow and getting slower over each and every item only any time it comes to stopping i’m on top again against all logic write on, right? write on, right on dusk ain’t dawn, dusk ain’t dawn, dusk ain’t dawn it’s like a test, i guess, a present tense a tension that demands attention man, i hope i make it i intend to make it write on, right? write on, right on good ain’t gone, good ain’t gone, good ain’t gone woe, woe, woe woe is over, woe is overturned go, go, go go and show ‘em show ‘em what you’ve learned this is the poignant part the part that has a point i’ll point it out, and disappoint it all apart - - it’s my heart - - woe, woe, woe woe is over, woe is overturned go, go, go go and show ‘em show ‘em what you’ve learned
2.
i’m just a liger on the inside born and torn in two i’m not a child of the wild livin’ in captivity, and this line stops with me but i kinda wanna carry on another minute with you lions and tigers, oh my my, i am one of you do me a favor and observe my behavior livin’ in obscurity, and this line stops with me but i kinda wanna give the kids a little somethin’ new a liger on the inside, i got no pride all the same, i got no shame, i got nothin’ to hide i’m just a liger with no pride tell me what to do to earn my stripes in this world of phenotypes and definitions of what’s right teach me how to be a better me and make it so you can see the premonitions i believe a liger on the inside, i got no pride all the same, i got no shame, i got nothin’ to hide i’m just a liger with no pride tell me what to say to make it plainer than an uninspired name it’s time i claimed my mane a liger on the inside, i got no pride all the same, i got no shame, i got nothin’ to hide i’m just a liger
3.
rain rain, go insane come again to entertain a tragedy of light i dare you imaginary fights and false delights there is only one way, and that is all ways run around in a circle when the song plays not black or white, and i reserve the right to change your mind a hundred times tonight this old man, he played all alone nobody wants to give no dog no bone i told you disconnected phones and broken homes there is only one way, and that is all ways run around in a circle when the song plays when the song plays, and it can play for days it can play for days, it can play for days and that is always, and that’s the only way rain rain, go insane half a brain, or twice a brain or brainless as it were don’t matter extraordinary names and perfect aim it’s all the same
4.
Wake / Die 02:47
if i should die before i wake then that would be a grave mistake then i’ll have died for pity’s sake if i should die before i wake but if i wake before i die none shall be less grave than i then i’ll forsake my pity sigh if i should wake before i die
5.
now young lad start sharpening your silver blade and readying the wagon father has agreed to let you ride with him beyond those cliffs tonight, to slay the dragon spill some blood, she’s yours for the killing when she falls, i know she will wipe the blood from your cheeks and the tears from your eyes and the look of surprise go back inside and nevermind ‘cause with the dragon slain, we grow again and the world gets drunk on tequila and gin like we were raised to ‘cause with the damage done we cling to one another, and to the fairy tales we’ve spun like we were raised to go back inside and never mind go back inside and never mind dragons’ eyes are only fierce when they’re alive and threatening survival father said that when they’re dead those eyes of hers can fetch a handsome price on your arrival lay them down, they’re yours for the claiming don’t you frown, son, you’ve done well she was a beast, you were a knight at least it was your right go back to bed, sleep through the fright ‘cause with the dragon slain, we grow again and the world gets drunk on tequila and gin like we were raised to ‘cause with the damage done we cling to one another, and to the fairy tales we’ve spun like we were raised to go back inside and never mind go back inside and never mind go back to bed, sleep through the night
6.
impossible to love, impossible to love maybe i’m impossible to love if i am a princess, i’m either a jill on the hill or i’m a jill in the box, unconscious to the knocks of my love obnoxious oblivion - i’m so sorry, hon but what’s it gonna take to make it to the hill? i wanna be that kind of jill if i am building to something it’s either a bridge or a wall and if it’s a wall, it’s not my fault i’m a brick pig - i’m addicted to suffering but what’s it gonna take to build that bridge? i wish i could tell you, kid taking more than you give, that’s no way to live having all that you have and not giving a damn impossible to love, impossible to love what if i’m impossible to love? if i am a soldier, i’m either the bomb or a blank and i oughta thank my lucky scars that you’re friendly got a tank full of white flags and i’m not afraid to use ‘em as long as you refuse ‘em i treat my friends like enemies but what’s it gonna take to end this war? don’t even know what i’m fighting you for taking all that i throw, that’s no way to go seeing all that i am and not giving a damn could i be a worthy girl? you seem to think so you think i’m a worthy girl and not a sinkhole impossible to love, impossible to love you say no one is impossible to love
7.
the sky is where polka dots go to die wish i could tell you they’re immortal but that would be a lie the stars you think are sweet are really not see, every star is just a rotting, dead polka dot why can’t they play all day? why do they have to fade away? once there were rows and rows of them why do these happy times end? patterns... the polka dots are floating in the air they used to live on my umbrella and ribbons in my hair their bodies bloat and shrivel and deflate i wonder what they could’ve done to deserve this awful fate why can’t they play all day? why do they have to fade away? once there were rows and rows of them why do these happy times end? patterns... you were man’s best friend without you... we cannot clash or make a splash we have to blend why do these happy times end?
8.
your surface is as certain as a specter your purpose is poetical and pure you’re always blue and nothing’s true but absolution and darling, i’m never sure i wonder what goes on inside that head of yours what thoughts preoccupy your troubled mind i wanna break inside of you and rescue your light but darling, my hands are tied and the tide’s coming in, and the avalanches sink while you swim, citizens of atlantis cynics and romantics, the floor is yours the home advantage, citizens of atlantis your message in a bottle was abysmal tryna turn that water into wine invisible and miserable, you drown your sorrows but darling, the water’s fine ‘cause if we don’t exist anymore will it matter what we stood for? getting rich and waging a war it feels so shallow here on the shore and the tide’s coming in, and the avalanches sink while you swim, citizens of atlantis cynics and romantics, the floor is yours the home advantage, citizens of atlantis
9.
was he wearing long hair? did he house a twisted soul? knowing what i know now, am i astounded by his self control? was he king of the world, in so many words? the answer is yes, anything you say total investment today, anything you say say what you will, i wish you no ill aces and eights, i still see your face on my dollar bill the dead man’s hand directs where i stand aces and eights, phantoms and fates are at the command of the dead man’s hand don’t you go pullin’ my strings i’m too wise to wear his wings i’ll revisit the grave and say his name but i’ve had it with kings no more blood for your love, it’s over and done the question is when? there you are again, playing your instrument there you go again the dead man’s hand directs where i stand aces and eights, phantoms and fates are at the command of the dead man’s hand the man is dead in my head but he’s alive outside he puts his hands through me and touches others’ lives i wear a talisman, i want to banish him the man is dead in the flesh but he’s alive within
10.
all the answers i can offer hover under these eyelids i aspire to walk on water climb and conquer pyramids better plan it, fear’s a sphere of failures and achievements poised and paralyzed awaiting some near death experience and that’s when i hear it, the voice of the spirit of progress work like a dog, to be a good dog in itself’s a success standing is what’s done in preparation for the leap this premise is a promise cross my heart and hope to start assembling a sense i’m free all the questions i can ponder wander out ahead of me prison breaks and fire escapes and i’m too far away to see poised and paralyzed assuming i’ll consume eternity and that’s when i hear it, the voice of the spirit of progress work like a dog, to be a good dog in itself’s a success standing is what’s done in preparation for the leap this premise is a promise i will have you keep neck relaxed and shoulders back hold the pose till you’re old it’s a balancing act ball is rolling, so’s the scroll
11.
Play God 04:25
i let my batteries die my clocks all tell the wrong time making a mess of things even worse without blinking an eye building a semblance of self on words i choose just ‘cause they rhyme details everywhere, keep looking the devil’s in there but i just wanted to play god that’s all i wanted today lookit what i gone and done they say it’s easier for some they say a lot of things they don’t mean they don’t mean to make fun i say i’m saving myself for me, i don’t see anyone fighting with closed fists and wishing on unfinished lists why am i doing this? doing that? doing anything but the task at hand? si comme ci, si comme ça si je suis si seule, en fait qui est moi? qui est moi? parce que je voudrais jouer roi c’est cette idée que je crois tous les soirs i wanna play god, i wanna play, god i wanna play god i wanna play someone sane enough to stay someone brave enough to say “someone save me from this day” god i wanna play god i wanna play, god i wanna play i wanna play it for keeps and hear the muse when it speaks i wanna be everything you need i don’t know what that means i wanna play, god i wanna be god, is that so obscene?
12.
it says “you are here” - where else would you be? maybe it’s referring to the fact that you are free got a little load - everybody does carrying the carcass of the person that he was wear it on your back like a turtle shell wear it on your feet and you can stomp around like hell sing a little song, tell a little joke why bother dreaming if you’re scared of getting woke? hey, be water, be an adapter, or fall with one hit vengeance on your psychotic captor or wallow in the pit work together, t-rex the raptor, triceratops shit are you starving for adventure now or are you full of it? too young to be old, too old to be too young to hold on to what we’re told misery loves company and company’s a ribbon that’s unrolled nothing left to do but dig for gold is it the strangest era because it’s not what it was? is it the strangest era because we’re still in love? is it the strangest era because they held the applause? is it the strangest era because all of the above? well this is what we call a disaster but isn’t it nice? eat your worries, put them to pasture and swallow some advice fight the monster, become the master ‘cause fire melts ice is it purge-a-tory that we’re in or is it fair-a-dise? too young to be old, too old to be too young to hold on to what we’re told misery loves company and company’s a ribbon that’s unrolled nothing left to do but dig for gold is it the strangest era because it’s not what it was? is it the strangest era because we’re still in love? is it the strangest era because they held the applause? is it the strangest era because all of the above?

about

Age of the Heart. Age of Love.
A life-or-death battle between Yes and No.

credits

released April 28, 2018

Music and lyrics by Nire Nah
Arranged and produced by Patrick Budde
Preserve Records 2018

Mixed at the Preservatory by Patrick Budde
Mastered at Wall of Sound by Norman Marston
Album art by Nire Nah

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Nire Nah Chicago, Illinois

Influences include Joni Mitchell, Tori Amos, Aimee Mann, Rilo Kiley, Daniel Johnston, The Decemberists

Album Art by Nire Nah

Photo by Matthew Gregory Hollis

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